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Comments by Christopher
Herold:
This haiku combines the appeal of
a classic style with an unusual juxtaposition of subjects. The images in this
poem work beautifully together. We arent told that the tiny star-shaped
clusters of blossoms look like the sparks from the grinding wheel, but that is
there for us to discover. Also effective is the contrasting of the softness of
the flowers to the hard, roughness of the wheel (as well as the sharpness of the
knife). I imagine this sharpening works to take place outside. The sparks spray
up from the wheel. The possibility that the poet worries about the flowers being
singed by those sparks is available to readers, but I prefer to take the path
of a less ominous scenario. The poet's eyes follow the sparks up to where they
vanish. Just above, or beyond the sparks is a blooming white lilac. The spikes
of flowers thrust up among leaves. I intuit a connection between flowers and sparks
that isn't merely a visual identification. Another fine feature of this poem is
scent. There is a marked contrast between the somewhat acrid scent produced by
the friction of metal on stone and the delicate perfume of the lilac. Actually,
this poem includes every sense but that of taste. We see sparks, hear the grinding,
smell flowers and ozone, and bear witness to the press of knife to stone. Such
a wealth in a single haiku moment!
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